Back to my craft or sullen art
A friend of mine who is a columnist in a larger city newspaper recently recounted how he was called upon to sit in on a journalism class at a nearby university. The object of the exercise, as the j-prof explained, was for him to sit in the class and just show the students what his ‘process’ was – what he did to pull a column together.
What a hideous exercise for anybody to have to undertake – sort of akin to what you do in the bathroom once the door is shut and locked – and, in other words, it’s just better not to know. Much as you don’t want to see what goes into sausages or to be entertained by a graphic account of your sister-in-law’s sex life. Make the sign of the cross and get outta there would be my advice.
Maybe that’s why I never took a journalism course. In my esteem, journalism is not something that can be taught. You either have an affinity and skill, or you don’t. The fact that somebody is inclined to publish my words is a reasonable indication there is a modicum of skill afoot. If somebody doesn’t, and especially if many people don’t want to publish you, this is an indication to get back to your mortician’s assistant apprenticeship program.
Anyway, my friend’s account of his process was quite amusing. And, of course, as such things do, it made me think of my own. I was once interviewed by a paper after I’d won a national award, and the young reporter wanted to know then how one of my columns came about. I still have the article. In it I lied outrageously and talked a lot about sweating bullets of blood, and so forth. Back in those days I was probably sweating bullets of the previous evening’s indulgence.
Today I no longer write a regular column, though I do write a lot of articles, some of them even quite serious. Lots of purple prose brings in those who pay the admission. So, rather than column-writing, I will consider what it’s like to write an article for which I have received editorial approval.
It goes like this:
* I have editorial approval. That is a good thing. That means I can get on with it. Cool, and at the end I’ll get paid.
*I have editorial approval. That means I’ll ‘have’ to get on with it. What if it turns out to be a piece of crap and destroys what little reputation I might fancy I have?
* But, with that approval, I’ll just have to get to it. ‘Getting to it’ is very definitely my own approach. It includes: having a further cup of coffee, playing a few rounds of solitaire, checking my email (they still seem to be concerned about the state of my penis), checking for blog comments, checking other people’s blogs, then back to getting to it.
* When I began writing many years ago it was via typewriter. At that point I would stare at a blank sheet of paper. Now I stare at a blank Microsoft Word screen. Same thing, somehow.
* Many people develop a ‘plan’ and try to adhere to it. My plan is in my head – or not. If it’s not then I go to the old newspaper trick of writing my lead sentence. If the lead is a good one, then everything else should fall into place. If the lead is not good, then nothing will fall into place.
* Continuing: I pour another cup of coffee. Try a little more solitaire and then check all the above things that I’d checked about 15-minutes earlier. After all, I have my lead, so everything should take off from here.
* Continuing: I look out the window. If Wendy is out-of-town I dash off an email to her. Sometimes I tell her what I am writing. Sometimes she gives me find suggestions for approach. Oftimes they work.
* Eventually I finish it. I then email to Wendy to edit. No sensible newspaper person trusts his or her own editing. Objectivity is needed. Wendy sends the corrected version off. I gasp at the number of typos and non-sequiturs that have leapt out at her. I fix them. Looks good.
* I send it off and await receipt notification from the paper. I check out another version of solitaire, happy that a fine job has been accomplished. About two hours later I check some scribbled notes I’d made beforehand. Oh shit, think I, I neglected to include this vital element. Will anyone notice? Think of how many things you read on a daily basis in which the journalist has “neglected to include a vital element.”
Scary business this is.
What a hideous exercise for anybody to have to undertake – sort of akin to what you do in the bathroom once the door is shut and locked – and, in other words, it’s just better not to know. Much as you don’t want to see what goes into sausages or to be entertained by a graphic account of your sister-in-law’s sex life. Make the sign of the cross and get outta there would be my advice.
Maybe that’s why I never took a journalism course. In my esteem, journalism is not something that can be taught. You either have an affinity and skill, or you don’t. The fact that somebody is inclined to publish my words is a reasonable indication there is a modicum of skill afoot. If somebody doesn’t, and especially if many people don’t want to publish you, this is an indication to get back to your mortician’s assistant apprenticeship program.
Anyway, my friend’s account of his process was quite amusing. And, of course, as such things do, it made me think of my own. I was once interviewed by a paper after I’d won a national award, and the young reporter wanted to know then how one of my columns came about. I still have the article. In it I lied outrageously and talked a lot about sweating bullets of blood, and so forth. Back in those days I was probably sweating bullets of the previous evening’s indulgence.
Today I no longer write a regular column, though I do write a lot of articles, some of them even quite serious. Lots of purple prose brings in those who pay the admission. So, rather than column-writing, I will consider what it’s like to write an article for which I have received editorial approval.
It goes like this:
* I have editorial approval. That is a good thing. That means I can get on with it. Cool, and at the end I’ll get paid.
*I have editorial approval. That means I’ll ‘have’ to get on with it. What if it turns out to be a piece of crap and destroys what little reputation I might fancy I have?
* But, with that approval, I’ll just have to get to it. ‘Getting to it’ is very definitely my own approach. It includes: having a further cup of coffee, playing a few rounds of solitaire, checking my email (they still seem to be concerned about the state of my penis), checking for blog comments, checking other people’s blogs, then back to getting to it.
* When I began writing many years ago it was via typewriter. At that point I would stare at a blank sheet of paper. Now I stare at a blank Microsoft Word screen. Same thing, somehow.
* Many people develop a ‘plan’ and try to adhere to it. My plan is in my head – or not. If it’s not then I go to the old newspaper trick of writing my lead sentence. If the lead is a good one, then everything else should fall into place. If the lead is not good, then nothing will fall into place.
* Continuing: I pour another cup of coffee. Try a little more solitaire and then check all the above things that I’d checked about 15-minutes earlier. After all, I have my lead, so everything should take off from here.
* Continuing: I look out the window. If Wendy is out-of-town I dash off an email to her. Sometimes I tell her what I am writing. Sometimes she gives me find suggestions for approach. Oftimes they work.
* Eventually I finish it. I then email to Wendy to edit. No sensible newspaper person trusts his or her own editing. Objectivity is needed. Wendy sends the corrected version off. I gasp at the number of typos and non-sequiturs that have leapt out at her. I fix them. Looks good.
* I send it off and await receipt notification from the paper. I check out another version of solitaire, happy that a fine job has been accomplished. About two hours later I check some scribbled notes I’d made beforehand. Oh shit, think I, I neglected to include this vital element. Will anyone notice? Think of how many things you read on a daily basis in which the journalist has “neglected to include a vital element.”
Scary business this is.
Labels: I do have a process of a sort
13 Comments:
I agree that certain things cannot be taught. It is hard to operationalize the creative process...and to teach it seems even more daunting.
Great post, brimming with wit as always.
~Deb
A lot like teaching, you have it or you don't. You can learn tricks but if you don't have it you'll never be very good at it.
Oh, (insert favorite expletive here)! You literally had me laughing out loud throughout this piece. It's reminiscent of the "career days" that were held in elementary school. Some hapless parent would be coerced into sitting at the front of the classroom while thirty kids alternately ignored him, asked idiotic questions about how he became a ____, or asked him how much money he made. Looking back, I suspect the teachers, other parents and students would all have been somewhat horrified if halfway honest answers had been given.
Great post Ian. I suspect it might be a bit tongue in cheek but I don't mind.
I'll bet you're glad that you don't use a typewriter anymore.
Lovely post with great wit as always!!
the essentials of journalism can be taught, quickly, inverted triangles and all, not the actual 'writing', as you say...
well said!
God bless solitaire...
Triple deck solitaire...
I prefer collapse or tetris myself.
It sounds daunting to me! Sending off something of your soul and waiting to be paid...you're a brave man!
If only the writing process could be compartmentalized and structured! Some days it comes, others, I sit at a screen and ponder. If I do write at those times, it becones a boring mess of turgid banalities, so eventually I give up and wait for inspiration.
My approach, when I am engaged, is quite different from Ian's - I check my e-mail much more frequently, and the offers I receive are often in Spanish. My knowledge of penis enhancement terms in Spanish is now quite good.
Very very interesting. I agree with you, in not thinking journalism can be taught. I do think it must be a natural gift such as writing music, or having a wonderful singing voice.
I've been to a writer's conference or two but although it's entertaining to listen to writers theories on How to Write,it all seems to boil down to just sitting down and actually doing it.
And, as you pointed out, you need a modicum of talent.
(Heh, I laughed at your mention of a mortician's apprenticeship program. That's very nearly where I ended up. Though who knows, perhaps, like writing, you either have a talent for embalming or you don't.)
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